Gouache Brushstrokes

Remember when I swore off oil paint? I do. But all my resolve withers at the slightest glance from the muse, so I went crawling back. Plus, I paid for those tubes and they’re just sitting there…

Anyway, I’ve recently been doing some small oils and gouaches, going back and forth. This has helped me appreciate the oils a little more. Gouache still wins hands-down in a head-to-head matchup – it took me a week to do a 6×6″ oil because I had to keep waiting for it to dry (whine! want to paint NOW!) – but there is one thing about it that can’t compare to oil: blending brushstrokes.

They say gouache is great for coloring illustrations because of the smooth, flawless areas of color it can create. I have never been able to achieve such smoothness – I end up with brushstrokes showing everywhere. I’m convinced that it requires 1) very smooth supports and 2) perfect paint consistency. I possess #1, but #2 requires more skill than I currently have. Plus, the stuff dries so fast that the perfect-consistency-paint you mixed an hour ago is now tacky or totally dry. Excuses, excuses, I know… but either way, I haven’t been able to get that smooth finish that gouache is known for. With oils, I can get it every time, effortlessly. Meh.

So, what’s a girl to do? I have completely given up trying to make smooth areas of color, especially on textured supports. Instead, I use the brushstrokes as textures. It doesn’t always work well, but I’m still learning. If you need a large area of color, try doing lots of small directional brushstrokes, or cross-hatching. From afar, it looks smooth and consistent. Close-up, it gives another dimension to the painting, potentially making it more interesting. Some examples:

Gouache on Gessobord:

Gouache on cold press watercolor paper:

2 thoughts on “Gouache Brushstrokes”

  1. ooh, more stylized farm animals! I think you should do a collection. ;) It’s too bad about the cardinal… she was so beautiful! I’m guessing you can’t go back over it now that there’s fixative on there? :(

  2. Yeah, I think a stylized barnyard is inevitable…

    About the cardinal, I could go back over it – there’s enough tooth left in the Pastelbord – but I chose not to. I’d basically have to re-do the entire thing. I’d rather it sit there reminding me of my stupidity. It’s a great learning tool. Every time I walk by, I think “DOH!”

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