Gouache



Coulton Squid

Coulton Squid by Meg Lyman

5×7″ gouache on paper

At a recent convention, I was commissioned to create a Jonathan Coulton squid by a fan of his. He’s a cool musician guy who writes fun songs… and some are about cephalopods. How cool is that?

This is one of those commissions I really enjoyed. I love when people ask for cephalopod-related things, because it indicates that I am becoming known for them, but also because I love painting them.

For those artists out there who take commissions, what are your favorite subjects?


Undersea Love

It’s love… strange love, but love.

Gouache on watercolor paper, 8×10″


To continue our discussion of warm and cool colors, I present: Green. For those interested, here are Parts 1 and 2.

Warm and Cool 3

This one gave some interesting results. The warm blue and warm yellow provided a nice, clear, warm green. It looks like it’d be good for grass that needs watering (a common sight in Atlanta recently). However, the cool blue and cool yellow gave me a brownish mess. Since the cool blue and warm yellow gave a similar shade of mud, I’m guessing it’s the fault of the common element, ultramarine blue, although I’m not sure why. Any suggestions? I’ve only mixed it with browns (to make dark, blackish colors) and reds to make purples.

The warm blue and cool yellow created a surprisingly pleasant mix. It reminds me of what grass is supposed to look like. I’ll actually get to see some of it during my road trip to Iowa next week. Which, by the way, is the reason I won’t be posting for the next week and a half.

In conclusion, I still have no idea what I’m doing with color mixing, and nothing consistent has come out of my experiments yet. Next installation: purple in all its glorious mystery.


Adorable Armadillo

Adorable Armadillo by Meg Lyman

Gouache and ink on notecard

Going to Anthrocon

I have been crazy-busy this week, and it’s not going to let up soon. I even got some art done! I’m heading for the beach this weekend and Anthrocon is next weekend. Getting ready for any convention is hard work, but this is my biggest con and I have to cram everything into two suitcases and get on an airplane. CRAZY but fun!


Angularfish
Angularfish by Meg Lyman
Gouache (and glow-in-the-dark acrylic!) on notecard
Going to Anthrocon

At my last convention, I was fishing around for something to doodle. My dear friend asked for an anglerfish. Except she said “angularfish.” It stuck.

It’s Acute Angularfish.

…yes, I’m a nerd.


Butterfly

I can’t show you the cool art I finished for the illustration contest last week, but I can show you a peek. I used gouache for the color and then outlined it with a big, thick india ink brush pen. I loved experimenting with this style and will probably do it again, especially for childrens’ work.

Gotta run, just captured a stray cat that was in my backyard, wigging out in my catnip plant.


Snoozy Anteater

Snoozy Anteater by Meg Lyman

Gouache on notecard

$25 - e-mail to buy

I need to go to an art store for burnt umber gouache and masking fluid to replace the masking custard I found last week. Going to art stores is dangerous. My wallet cringes.

Make sure to check out Lisa B’s awesome alphabet sketchbook project. It’s inspiring.

I got two paintings finished this week to close out an illustration contract. It rocked. But I can’t post them here because all the rights were purchased. That also means I can’t update my website with them yet, and my update for May is going to be pitifully small. Sigh.

I doodled this anteater in the airport last year, promptly lost it, and found it again last week when pawing through stacks of illustration board for the aforementioned project. I got out the typical browns and blues to make a grey anteater… but then I sort of lost control of it, and now he’s ready to go to a rave when he wakes up.

When I start a painting, I don’t usually plan to push the boundaries of color. But when I’m successfully able to drop my “I’m going to ruin it” fears, I always end up unintentionally experimenting with color. And it usually turns out well. I encourage the lot of you to do the same, because it’s so fun.

May all your anteaters be fluorescent.


I’d only ever used masking fluid once before, and it didn’t go all that well. I learned a lot, though, and when I tried it again this week, it worked splendidly. I feel that this qualifies me to give you advice.

Before the advice, though, a question: How long does masking fluid stay “good?” I ask because when I bought the fluid, it was… well… fluid. It’s been almost two years since then, and I didn’t open the jar once. This week, I opened it to find a custardy paste that didn’t budge, no matter how long I held it upside down and shook. The brush went right in, and after diluting it with water, it worked OK (save for a few chunks). I threw it out after that, because life’s too short to mess with chunky art supplies. But does anyone know the shelf life on the stuff?

Gooey questions aside, the experiment went surprisingly well. I used cold-press illustration board, masked an area, waited until it was dry (still sticky to the touch, though), and painted over and around it. Incidentally, I flattened out a piece of wax paper on the painting while it dried, which is how I got all those cool textured areas.

Masked gouache

Once the paint was dry, I attempted to de-paint the masking fluid. Last time I masked something, I ended up smearing the paint that had dried on the mask all over the white area while I was removing it. This time, I tried to clean it… but the paint was stuck. So I recommend cleaning off the mask when the paint’s still wet.

I used this gummy eraser-type thing to remove the mask. It worked fabulously. I used a dragging motion in big swaths, much like you’d use a kneaded eraser on large areas of pencil. Some of the mask stuck to it (see red corner), but I can always cut that part off for next time. I don’t know what it’s called, but it’s designed specifically to remove masking fluid.

Rubber Thingy

So, masking fluid + gouache + illustration board works great. The end. Questions?


Ubuntu Penguin

Ubuntu Penguin - commissioned piece

Gouache on Bristol

I recently had some opportunity to donate art prints to various causes. In celebration of the almighty upcoming Tax Day, I wanted to remind you that any art you donate can help lower your tax bill. I’m still unclear whether you can claim the market value for said donations, or the cost of making them… but either way, donating art to a worthy cause is a great idea. The tax benefits, sure, but also promotion! It’s a great way to get your name out there.

I donated a few prints to the charity auction at OmegaCon, and two matted cat-themed prints to the recent anniversary celebration at Furkids, where I volunteer. Charity auctions are great exposure - people go prepared to spend money for a good cause, and small, lower-priced items like prints are a great option for people who want to donate on a budget.


Nautilus macromphalus

Nautilus macromphalus by Meg Lyman

11×14″ gouache on Pastelbord

$225 - e-mail to buy

I am beginning to think I set unrealistic goals at the beginning of the year. I underestimated the amount of time required for things like, say, putting my house on the market. It has been hugely time-consuming. However, having that list of goals has helped keep me motivated during the long, full days, even if I’m not perfectly on track to finish everything.

Nautilus macromphalus WIP 1

N. macromphalis WIP 1: Background. See this post for my laments about Pastelbord, the Magical Brush Eater. The cheap synthetic brush I used to complete the painting held up surprisingly well.

Here are the goals and my 1st Quarter commentary.

  • Register my business by March - Done. I want to frame the certificate.
  • Redo this blog to greatly expand its content and interactivity - Not done. I had hoped to finish this by now, but… yeah. Still in the works, and I’ve actually done some coding.
  • Trim my website into a portfolio - See above, re: coding.
  • Time all my projects with the new stopwatch Santa got for me - Doing. Doesn’t work nearly as well when I have 5 projects going at once…
  • Complete the 100 Cephalopods project - No way is this going to happen. I have a grand total of 2 done. Commissions got in the way. Working for dollars is way better than working on spec, though, so I’m not bummed about missing this one.
  • Promote my art on MySpace, etc. - Slowly working on that. Check out my MySpace page if you’re into that sort of thing.
  • Do 10 shows and/or conventions - Going to happen! I have done four already and the rest are planned out.

N macromphalus WIP 2

N. macromphalus WIP 2: Whites. I didn’t do much planning for this piece. For example, I hadn’t planned to push the boundaries of color. These are all supposed to be shades of white, but at this stage I kept thinking, “Looks like metal. Maybe I should change the name to Robo-nautlius.”

I have done something list-worthy that was never an explicit goal of mine: I’m getting faster. I knew this would come eventually with practice, but I was pleasantly surprised when I realized it’s already happening. It took a friend saying, “you’re getting faster” for me to notice. Duh.

N macromphalus WIP 3

N. macromphalus WIP 3: Almost done. The oranges really balanced the blues and made the whole thing look properly organic. Nautilus, check. But the background was distracting. I took a sponge to it, which did the trick. Pastelbord is also the Magical Sponge Eater, and I spent 15 minutes picking bits of sponge off the painting.

Another list-worthy mention: I’m making a conscious effort to work on my style. Maggie and Rita encouraged me, and I worked out a list of things that make my paintings “mine.” One of those things, which had never occurred to be before (and never would have without this exercise) is that I love to use warm browns and oranges and cool blues and greys in combination. This may or may not be related to my love of da Bears.

So, that’s where I am after the first quarter of 2008. How are y’all doing in terms of goals this year?

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