The Hairdresser by Meg Lyman
8×10 colored pencil commission – SOLD
Commissions. The double-edged sword. They are often an essential part an artist’s living, but they can be so draining creatively. When someone wants me to do custom artwork for them, I am thrilled and terrified at the same time.
I am beginning to set myself up with a style – the more work I do for myself, the larger my portfolio, and the more likely I am to get commissions that I will like. However, there are always commissions that just suck it out of me. If I accept a commission about which I am less than enthusiastic, can I use it to practice a new technique or style? I’m at risk of providing the customer with a product unlike any of my others… and they hired me after seeing my existing work. If an experiment goes wrong, I’ll have to start over.
Luckily, this hairdressing cephalopod commission was right up my alley.
For the artists out there, where do you draw the line when accepting commissions? Do they have to interest you, or do they simply have to pay the bills? For the potential commissioners out there, how much leeway would you give your artist in terms of style?
