Category Archives: Color

Berries

I’ll get back to my color project in a jiffy. But first, a quick convention report. Anthrocon was wonderful, and I sold enough t-shirts, prints, originals, and commissions that I just might break even. The best part was the camaraderie and new beers. And also, coming home to this in my backyard:

Berries

EPIC.

Also, note all those “cool” colors.

Warm and Cool – Part 1

Since I’m off to a convention and have been so incredibly busy, I decided to take this opportunity to start a blogging project. O_o

I’ve wanted to do this experiment for a while now. I heard theories about warm and cool colors, how they relate, how to mix them, what to use them for, and what to avoid. I figure it’s all good advice, but there’s nothing like finding out for yourself.

I have warmer and cooler versions of the primaries in my gouache palette. I generally choose the tint that suits the painting better. Should it be more scientific than that? I know warm and cool are relative terms; putting a cool red next to a cool purple might make the red look warmer. But in general, I can pick out which tubes are warm and which are cool.

Warm/Cool

My attempts to color-correct the scan didn’t go so well… but I think you get the idea. The warm colors are Flame Red (PR170), Permanent Yellow (PY1), and Prussian Blue (PB27). The cool colors are Cadmium Red Purple (PR108), Lemon Yellow (PY3), and Ultramarine Blue (PB29).

During the next few weeks, I’ll show you my experiments with warm and cool primaries. I hope to learn a lot and share it all with you. I just might end up making lots of different shades of “mud,” but even that can be useful… especially if you’re painting dirt.

Science and Art

I recently stumbled upon an interesting art-related article that I want to share it with you. There are climate change scientists out there searching old paintings for sunsets with vivid colors. They’re trying to pinpoint climate-changing events, like volcanic eruptions, through the painters’ depiction of sunsets (which become much more vivid after large eruptions due to the particles in the air).

It’s a fascinating project, but it’s also very much like scientists to try to objectify something like art. How do they determine whether the artist’s depiction is accurate? I am working on a sunset painting right now, and completely invented the colors and clouds. I hope nobody tries to decipher anything scientific from it. We’re artists, dagnabit… we paint things we see in our heads!

Sunset

This article interests me for several reasons. First, I’m a nerdy engineer by trade, and science fascinates me. Second, I love nature – both being in it and painting it. An article that discusses both makes me happy. Third, I’m not sure if most artists have a “grand vision,” but I do, and it involves painting nature and technology together. I have many ideas planned out, and I hate to admit it, but the paintings I do now feel like practice for that big, important vision.

Let me know what you think of the article. Also, tell me if you artists have a “grand vision,” and what it’s all about! What motivates you?

Fingerpainting

Handprint by Meg Lyman

6×6″ gouache on Gessobord

This painting was done without brushes. The only tools were my hands. That’s one of the beauties of gouache – most colors are non-toxic and don’t have anything nasty in them, so you can fingerpaint! Maybe not a masterpiece, but really fun to do.

More on the WIP this weekend.

Art Self Today

Cephalicide by Meg Lyman

Mixed Media (colored pencil, gouache, & ink) on toned paper – 8×10″

$50 – e-mail to buy

Being tagged got me thinking. I told you 7 things about me you probably didn’t know, but they’re random things and not necessarily related to art. Being able to lick my nose is cool, but it has no useful application in art. Or anything else, really. So I will share with you my short “art self” story, both to potentially help others, and to record it for myself, so that in a year I can read this and see how much more successful I became. Or how badly I tanked. You never can tell.

Quick history: I’ve drawn things forever. Don’t we all, as children? But some people stop; I never did. I took a few classes in high school and college, sticking to pencils and pursuing a totally unrelated career. After graduating and working for a while, I took a few community classes. The end.

Oh wait… that’s just the beginning! About a year ago, I saw some art that made me decide to abandon my fear of color and start painting. I started with single-hue paintings, using my experience with value and sticking to one color. Ever since, I’ve been expanding my boundaries and exploring color. The more color I do, the more I love it.

I still do pencil work and enjoy it. I am working on pencil illustrations for a couple RPG books, and trying to push my values even further.

I still feel like I’m experimenting with color, but I’m more confident now than I was a year ago, both with color itself and with the tools. I’ve dabbled in digital art and got paid to design two website logos. I’ve sold several originals. I’ve built enough inventory to call and visit a few galleries and shops. One local gallery said my stuff was good, then shut down for the summer – but it still sounds promising. I have some photos on sale in a small (but really cool) store in Iowa. I have had a couple portrait commission inquiries. And I have two restaurants that will hang some of my art next month.

I have a huge spreadsheet full of art ideas that must be painted before I croak. My next big project will be painting 100 cephalopod species. It may take years, but I’m excited about it. And to show you how far I’ve come since I started with color, my latest and greatest work is on display above (permission to roll eyes and snicker granted).

I also started this blog. It’s been wonderful so far (for me at least… I hope for you as well). I have a million ideas, questions, and tips I want to share with you. That’s the end for now. I wonder what the next year will bring?