Category Archives: Color

Last one for a while

The earnest person of honest narrow vision who comes along and says, “I don’t see that colour,” should have one’s sympathy, as looked for with his coldly accurate eye, all the glory of colour disappears and has no existence.

Page 138, Oil Painting Techniques and Materials by Harold Speed

I wonder which ones…

On eliminating earth colors:

And there is some considerable danger of that nasty acid fruit salad sort of colouring turning up, as in some of the worst impressionist pictures.

Page 109, Oil Painting Techniques and Materials by Harold Speed

Furiosa

meglyman_furiosa

Furiosa by Meg Lyman

9×12″ gouache on cold press

Etsy link

I never gave this one an official post – here is my homage to my favorite movie, Fury Road.

I used gamut mapping and a limited palette to help this obtain the color-filtered look of the movie. My colors were, from top to bottom: gamboge (didn’t use much of this at all), titanium gold ochre, Hooker’s green, burnt umber, neutral tint, cerulean blue, and indigo. I also added a bit of quinacridone red for the faces, gold for the sparkles in the engine grease, and of course white. I could have limited the palette more and had even better color harmony.

furiosagamut

Note how all the octopus are hanging on the same horizon line, through the upper middle of the torso for an average-height imaginary octopus. I initially sketched them all wrong, and had to review my perspective rules.

Bonus thumbnails:

 

furiosathumbs

Bye 2015!

meglyman_furiosaFuriosa –  fan art homage to my favorite movie of all time

2015 was a good year. I was able to focus my art by doing more still life practice and background work, and I really got into the vulture culture/skull collecting community. I appreciate all of you – artists supporting artists, collectors, and the helpful and friendly vultures I’ve met. I hope we all have an awesome 2016!

meglyman_buoyBuoy – gouache work from a photo I took in La Push

meglyman_delacroixLiberty Leading the Cephalopods – a fantastic commission

meglyman_madronaMadrona – experimenting with oils and daily painting

meglyman_otternoveau_unvarnishOrange Otter – alla prima from life plus a little Klimt influence

meglyman_vanitasI_unvarnishedVanitas I – my first try at still life with lead white oil

meglyman_octophantOctophant – a fan suggestion and experiment in textures

Vanitas I

meglyman_vanitasI_varnish

Vanitas I by Meg Lyman

12×6″ oil on canvas

Etsy listing

A quick study in the impermanence of beauty. This was my first time trying lead white (Rublev Lead White No. 2), and it was awesome. It really makes a difference with the textures and is great for painting skulls.

Below is the scan of the unvarnished version. Subtle but interesting differences.

meglyman_vanitasI_unvarnished

Nutria Flower

meglyman_nutriajaw

Nutria Jaw by Meg Lyman

4×4″ oil on board

SOLD

I’m fascinated with the delightfully odd shape of nutria jaws. They remind me of flowers, so I made this one pink. Plus I wanted to try out my Old Holland Ultramarine Red-Pink.