Nautilus macromphalus – work in progress by Meg Lyman
11×14 gouache on Pastelbord
I did a brief review of gouache on Pastelbord last year, and although I liked it, I hadn’t used it since. However, I am a spineless worm when it comes to art supply stores. Colorful sirens in the form of papers, paints, and other such paraphernalia call from the shelves… “Buy me! Buy me!” and I am loathe to resist. Therefore, I recently found myself with half a dozen large pieces of Pastelbord that need to be used.
My first gouache on Pastelbord was this, and then this last week and now this current WIP. I am in love with the stuff. I know artists who swear by it for colored pencils and pastels, too. It is slightly sandy from the marble dust they mix into the substrate (which is probably why it’s expensive). It is of course rigid and non-buckling. The tinted ones suck a bit of the life out of the colors, but not much – and I haven’t tried the bright red gouaches yet, which typically dominate any surface with unyielding authority. They go on boldly, lording it over the other colors until you notice holy cow that’s bright and glaze some green over it. We’ll see about them.
The delight of this surface is hard to describe. For me, it’s mostly in the pull of the brush across the texture, and the way you can smack paint around without worrying about pulling up the under-layers. Pastelbord is absorbent and textured, something which none of the other Claybord-type products (or even papers and illustration boards) pull off very well. I am going to try gouache on Wallis at some point, and I hope it’ll give me the same feeling.
One of the only downsides to Pastelbord is its brush-eating. I have used one particular brush for 3 paintings: the two previous Pastelbords mentioned above, both 5×7, and the underpainting of Felipe (on illustration board). This is how the new bristle brush looked and how mine looks now:
It’s not a very high-quality brush, but man, two and a half paintings? That’s pretty bad. Oh well… it’s worth it. And maybe it’ll be nicer to the soft brushes I use for detail work. I’ll report back later.
p.s. This is the first of the 100 Cephalopods project. Details still forthcoming.