Sun 7 Jan 2007
How could I keep a blog about dark beer and not include Guinness? When I was first introducing myself to beer in general, Guinness was the only dark beer I knew. My first pint was an entirely new experience. I won’t go into the Guinness details, since most people are likely to know them already, and if not, go here.
Guinness will always have a place in my heart, but after having tasted so many other dark beers, it doesn’t stand out. It’s smooth, and actually quite bland compared to some. It’s a drinkable beer - you can have it with dinner - as opposed to some that are an experience, or a dessert, by themselves. Rating:
M: 7
N: 7
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Gouache Portrait WIP - the last installment, I promise
This is simply a visual step-by-step of my portrait of Grandpa. Other than the toning wash, all the steps show opaque application with very little blending. The background was done with layered washes, dabbing, and a sponge. The illo board I worked on curled up after the first wash, so the photos are a bit distorted. It is also why the first picture includes a beer bottle.
And the final result: link








January 18th, 2007 at 8:43
step-by-step–whoaaa.
January 18th, 2007 at 8:11
cool stuff meg! awesome depiction of an awesome man.
January 19th, 2007 at 6:46
Thank you both for looking! He certainly was the best subject anyone could ask for.
January 20th, 2007 at 9:29
Thanks for sending/sharing these
photos Meg! They are great…and
so are the beer reviews!!
March 3rd, 2007 at 11:23
This is a very interesting style and a very striking portrait with a very graphic feel. I was curious about the process you used to map the different values. Could you explain how you managed to separate and create those interesting shapes?
March 3rd, 2007 at 2:02
Hey Dave!
I spent some time working out the values in monotone, as practice: [link]. You can see the photo and a couple studies. These helped me later on.
The first step I took was choosing the colors. The flesh tones were yellower for the forehead area, redder for the cheek area, and bluer for the chin.
I had drawn some of the value demarkations on the board, but only the major divisions (wrinkles, obvious lines, highlights). Then I went in with the medium values in each of the three color zones. I knew where the highlights and darkest values were, so I put the medium values in-between, leaving areas around the darks and highlights so that I could create smooth transitions.
Throughout the painting process, I kept referencing the photo as a value guideline. However, I did push the darks darker to make a more dramatic contrast.
Hope that answers your question. If not, let me know!
Meg
March 3rd, 2007 at 3:03
Thank you so much for being open about your process and willing to provide a thorough explanation. I really appreciate you taking the time. I am a 30 yr. old military vet and I am back in school full-time pursuing a BFA, majoring in illustration. I am right now in the midst of my freshman year. My point is, I need all the help I can get! I’m gonna look back through the CA threads as well, many of those Fredflickstones threads no longer have images. I go by Anuran on Wetcanvas,CA and a host of other forums so I’m sure I will get an opportunity to talk to you again. I’ll also be able to show my first Gouache painting soon…it’s due wednesday :) Thank you again.
March 4th, 2007 at 4:55
I think every artist should be open & helpful, because they wouldn’t be where they are today without the help of others. I love sharing what I know and reading what other artists have shared.
I wish you the best of luck with your BFA and your career - I’m also a bit jealous. I really would like to get a BFA someday.
I know FredFlickstone’s (aka Ron Lemen) images are gone, and it’s a shame. But here are some links that shows some of his work and tutorials:
Hands
Heads
Light and Dark
Ron’s Paintings
Ron’s Paintings again
I’ll see you on the boards (I’m “meglyman”)… can’t wait to see your gouache!
Meg
July 26th, 2007 at 1:32
What abou the blending? This does not look like a paint by number picture, wher we have all the values and colors painted on and unblended. You did each section in a pragmatic way, reminding me of when I did paint by numbers as a kid, but, your result also has blending. Did you scumble? If so, could you shouw us how? It’s just beautiful!!!
July 26th, 2007 at 6:55
Lumpafur,
The method I used really reminded me of paint-by-number - but I think if you have small enough, detailed enough areas, it doens’t look like a paint-by-number at all.
I tried a bit of blending on the edges of the left chin, but I was a complete newbie at it and just made it look muddy. Honestly, there was very little edge blending, anywhere. I think the most I did was in the shirt collar.
No scumbling either - I didn’t even know what scumbling was when I painted this! I am still learning a lot about gouache, but haven’t tried scumbling or glazing yet. I will, though, and will post about it when I do!